To All The Boys Emily Kinney Has Loved Before

By Rhiannon Levengood

With her third studio album Oh Jonathan, Emily Kinney introduces her fans to a brand new sound that combines her iconic indie, pop vibe with a fresh synthesized feel. The tracklist includes fan favorites like “Same Mistakes”, “Jonathan”, and “Popsicles”, three songs that any diehard Emily Kinney ‘Lover’ would know, but still delivers a record completely unheard by anyone before. Oh Jonathan exhibits Kinney’s personal and musical growth, confidence, and ongoing desire to be loved in a way that’s short, sweet, and sometimes even explicit.

Oh Jonathan begins like a regular Emily Kinney show would with her song “Same Mistakes”. It opens her journey of finding true love by telling us that the rest of these songs will be about navigating her options and making both terrible and great decisions along the way. She expertly sets the tone for the rest of her record by slowly introducing her new electronic sound with an older song, perfectly blending two vibes into one. Kinney’s gentle voice tells a love story about returning to a relationship that is most likely toxic for her. She knows that she has a man who is ideal for anyone else, but her heart really belongs to this other guy, even if it hurts to love him sometimes, which is a lesson she’ll learn time and again.

“Same Mistakes” also portrays Emily’s confidence in herself and what she wants, especially when it comes to her romantic and sexual relationships. The first track effortlessly transitions into “Mortal”, another song that uses a synthesized beat to drive it forward. It recounts a story of a blossoming love, not yet complicated, but also not going anywhere either. The two share a love that’s exciting in the beginning stages, but as it progresses, it sort of dies out. Does he love her the way she loves him? Does he feel that connection like she does? It’s that uncertainty that keeps Kinney around.

Emily’s album continues with another one of her older (finally recorded!), but one of her best written songs. “Jonathan” has a very simple guitar riff that helps you focus on the creative, metaphorical lyrics. Emily and “Jonathan” are complete opposites, but they complement each other so well that Emily feels really drawn to him. She’s a ray of sunshine, and he’s a cloudy day, but his mysterious demeanor makes him interesting and addictive. The only problem is that the love Kinney feels is unrequited, so the song ends with her hoping for “Jonathan” to make his way back to her in the future.

Oh Jonathan takes a poppier turn with “Soda Glass”, a song about a fragile kind of love. It’s another story that burns out too quickly and leaves Kinney hopelessly heartbroken. While the affair is over, she is still kind of hopeful for a restart. “Soda Glass” is a little reminiscent of Emily’s song “In” from her debut EP Blue Toothbrush with similar lyrics. For example, in “In” Kinney describes her New York City apartment:

“You helped paint the walls, but got dirt on the carpet/But I didn’t mind cause you’re all that I wanted/Ignored broken glass/Forgave each small sin/Each time you knocked, I let you in,” which directly relates to: “I got your notes on napkins/And my blood on your walls/Our soda glass love could only take so many falls.”

The same theme of feeling used and thrown away continues into “Popsicles”. This song was initially released on Kinney’s second EP Back On Love, and originally had an acoustic guitar and piano instrumental track. The percussion parts were subtle and sounded like classroom instruments, giving the song an innocent vibe. For its rerelease on Oh Jonathan, “Popsicles” was given a new production, making it more upbeat and electronic to fit in with the rest of the record. The slight change makes me believe that Emily’s feelings regarding this song have changed over the past two years. Maybe she’s not as angry or hurt as she was when she first released it, and now she’s able to reimagine its sound and put more into its production.

“Drunk and Lost” is an almost love ballad that Emily sings for a guy she meets at a party. She tries enticing him to take her home, and if it all feels wrong, they can call any advances an accident in the morning. Again, her confidence in her sexuality and her desire to feel some love is evident here.

The steady buoyant vibe of the record slows down for “Loser”, a song Emily uses to smear an ex-lover. She incessantly asks him how it feels to not be good enough for her by comparing him to her current lover, and to his own past. The lyrics are transparent and vulgar, but flawlessly execute her emotions over their relationship’s demise. She builds up her self-worth by tearing him down in a way that’s almost empowering. Another difference between this song and the rest of the album is the use of a saxophone part during the bridge, that may or may not be a message in itself to the ‘loser.’

Oh Jonathan comes to a close far too soon with Emily Kinney’s two singles “Mermaid Song” and “Boy Band Hero.” Both of these tracks have a dreamy feel to them instrumentally and carry the ever-present theme of finding love and eventually moving on from it. “Mermaid Song” in particular showcases Kinney’s independence in a relationship that isn’t really going the way she wants it to, while “Boy Band Hero” reminds us that she’s always dreaming of falling in love.

To all the boys that Emily Kinney has loved before, thank you. Your imperfections and inabilities to love as deeply as Emily has given us yet another beautifully written record.

You can check Emily out on her Same Mistakes Tour across the US this fall, and give her a follow on Twitter and Instagram.

Emily Kinney Reminisces on “Boy Band Hero”

By Rhiannon Levengood
Photo by Lindsey Byrnes

With her soft, innocent voice and distinct, creative lyrics, Emily Kinney gifts us with a brand new single “Boy Band Hero” straight off her third full-length album Oh Jonathan, due to release August 24. Similar to her last single “Mermaid Song”, Kinney’s newest release takes on the same rounded, electronic vibe as she experiments with beats and synthesizers, as opposed to her typical acoustic guitar and keyboard combo. The new sound is fresh and showcases her vocals so well, giving her music a more mature energy than before.

“Boy Band Hero” begins with a gentle beat and sets an illusory scene of a younger Emily daydreaming in the middle of class about her “boy band hero from junior high.” Throughout the lecture, she dreams about meeting him at a concert, the two falling in love, and just as her daydream is getting good, her teacher slaps a ruler against her desk and snaps her right back to reality. The instrumentals, especially during the bridge, directly portray that dreamlike trance of staring out the classroom window.

The music video for “Boy Band Hero” is reminiscent of Kinney’s high school days and includes pictures from her childhood along with staged footage of kids attending school and football games to effectively paint the illusion of being a hopeless romantic teen again.

Emily Kinney’s new single mirrors two of her older songs, “Rockstar” and “Kids.” In “Rockstar”, she describes her plans of marrying the frontman of a rock band, following him on tour, and growing old with him. The song is hopeful in contrast to “Boy Band Hero”, which could be viewed as Kinney giving up on her dream of living that glamorous, rockstar life with her beau: “Oh, oh, oh, I’m sending up a prayer. Oh, oh, oh, a little goodbye cry for that boy band hero from junior high.”

“Kids” is a single off Kinney’s debut album Expired Love and recounts a story of the pure kind of love that children have. It’s fearless and carefree, young and naive, shiny and new. “Boy Band Hero” alludes to “Kids” directly with the line, “grass-stained jeans, my head in the clouds,” which parallels with, “wash off all your grass stains, I’ll pull off my shoes” from “Kids.”

This little peek into Emily Kinney’s new album is just what her fans needed to get them excited enough to pre-order Oh Jonathan in various merch bundles on her PledgeMusic page. Stay tuned for August 24 and make sure to follow Emily on Twitter and Instagram so you don’t miss out on a possible tour before the end of 2018!

I Don’t Know How, but the Music Found Me

By Rhiannon Levengood

I hate how cliché it feels for me to answer with “everything” when asked what type of music I like. But there is no simpler way to say that I appreciate and adore every single genre of music. I grew up listening to country music, the typical 90s boy bands, and everyone in my family could vouch that I was Britney Spears’s biggest fan. Even as a child, I could rap every word to an Eminem song—not that I knew what exactly I was saying, but the sounds were there. And of course, I was born to be Stevie Nicks’s littlest fan.

Music has always been a part of my life, so it makes sense that I’ve gone through phases in my almost-24 years of living. My music taste has grown with me the same way we mature and discover new interests.

As October 2017 comes to a rapid close, ending my 23rd year of listening to rad music, I’m here to share what I’ve been listening to obsessively these past few months. So, sit tight and proceed with an open mind, because this is going to be an eclectic ride.

With unsettlingly blunt lyrics and an electronic sound reminiscent of the Killers and Muse combined, I DON’T KNOW HOW BUT THEY FOUND ME (IDKHBTFM) gives us their brand new single entitled “Choke.” The group is comprised of two well-known band members from the emo side of music: Dallon Weekes (the Brobecks, Panic! At The Disco) provides the eerie, Gerard Way-esque vocals and bass for their latest release; and Ryan Seaman (Falling in Reverse) supplies the beat that marches the song along.

Earlier this year, IDKHBTFM released their debut single “Modern Day Cain” along with an 80s style music video that left more questions than answers. Similar to the band Where’s Fluffy? from Nick and Norah’s Infinite Playlist, IDKHBTFM is keeping their project as low-key as possible, leaving their fans anxiously waiting for more. Luckily for us, though, their upcoming shows aren’t entirely secret and can be found here.

Detouring away from the alternative rock genre and straight into the heart of pop music, I bring you Sabrina Carpenter’s newest single “Why.” Just last year, Carpenter released her appropriately named sophomore album EVOLution, which was followed by not one, but two headlining tours across the US, and appearances in the UK, Europe, Brazil, and Japan. But if the #Carpenters thought for a second she’d be taking a break soon, they were wrong. Like my taste in music, Sabrina’s craft is ever-changing, so she is forever working to keep up with it.

“Why” continues to prove that her sound is evolving as she grows. It uses a synthesized beat and vocal effects to fit in perfectly with mainstream radio, which is exactly where her talent belongs. To put it simply, this song is a bop and I highly recommend it.

If you are anything like me, you start listening to Christmas music in September because it’s been ingrained in you from years of orchestra, choir, and concert band. Fortunately for us Christmas enthusiasts, Sabrina Carpenter has released two covers just in time for Halloween!

Another artist who is experimenting with her music is my personal favorite, Emily Kinney. With a new album on the horizon, Kinney teases her fans with “Mermaid Song” to give us a glimpse into her new sound. Her first two albums and two EPs have been folk-americana, giving her music an indie acoustic vibe that I’ve grown very fond of. However, “Mermaid Song” has more of an electronic energy that, when paired with her sweet, angelic voice, portrays a dreamlike sensation that’s absolutely addicting.

It’s been an incredible year for music so far. With artists and their sounds progressing the way that they are, I am extremely excited to see what’s to come from my favorites; and even more thrilled to discover up and coming artists as well.